Collections Search | BFI | British Film Institute

Toy Story (Original title)
Date: 1995 (Copyright)

Country: USA

Director: John Lasseter

Production company billing: ©[no date]. The Walt Disney Company Walt Disney Pictures presents a Pixar production Author: Hi Tech Toons Dolby Digital Colour by Technicolor [1.85:1]
Synopsis: Completely computer-generated animated film about several toys fighting over the rule of a boy's room. The accepted leader, a cowboy marionette, is put to the test by the arrival of a new toy, Buzz Lightyear, a galactic superhero.

Genre:
Animation
Releases
Date: 22 November 1995Country: USARelease type: unknownFormat: not specified - Colour - Technicolor - Sound - DolbyRuntime: 81 mins Length: 7245 FeetLanguage: English

Credits (286)
©: Walt Disney Pictures, Production Company: Pixar, Executive Producer: Edwin Catmull, Executive Producer: Steven Jobs, Producer: Ralph Guggenheim, Producer: Bonnie Arnold, Senior Production Associate: Susan Hamana, Production Supervisor: Karen Robert Jackson, Production Co-ordinator: Lori Lombardo, Production Co-ordinator: Ellen Devine, Assistant Production Co-ordinator: Victoria Jaschob, Lucas Putnam, Production Schedules Co-ordinatoer: Katherine Sarafian, Production Controller: Kevin Reher, Assistant Production Accountant: Terri Greening, Pixar Finance: Lisa Ellis, Purchasing/Facilities Manager: Dennis 'DJ' Jennings, Purchasing Assistant: Kathleen Handy, Post-production (Supervisor): Patsy Bougé, Post-production (Administrator): Margaret Yu, Post-production (Scheduler): Heather Jane, MacDonald Smith, Production Office Assistant: Jonas Rivera, Production Office Assistant: Alethea Harampolis, Production Office Assistant: Christian Hill, Nancy Copeland, Casting (Consultant): Ruth Lambert, Casting (Additional): Nancy Hayes, Casting (ADR Voice): Mickie Mcgowan, Screenplay: Joss Whedon, Screenplay: Andrew Stanton, Screenplay: Joel Cohen, Screenplay: Alec Sokolow, Story: John Lasseter, Story: Pete Docter, Story: Andrew Stanton, Joe Ranft, Story Supervisor: Joe Ranft, Robert Lence, Story Co-ordinator: Susan E. Levin, Story Artist: Andrew Stanton, Story Artist: Kelly Asbury, Story Artist: Ash Brannon, Story Artist: Mike Cachuela, Story Artist: Jill Culton, Story Artist: Pete Docter, Story Artist: Perry Farinola, Story Artist: Jason Katz, Story Artist: Bud Luckey, Jeff Pidgeon, Camera Manager: Julie M. Mcdonald, Photoscience Consultant: D. Difrancesco, Camera Supervisor: Louis Rivera, Camera Engineer: Matthew Martin, Camera Technician: Don Conway, Monitor Calibration Software: Michael Shantzis, Supervising Technical Director: William Reeves, Associate Technical Director: Eben Fiske Ostby, Technical Department Manager: Allison Smith Murphy, Modelling Team: Mark Adams, Modelling Team: Ronen Barzel, Modelling Team: Kevin Björke, Modelling Team: Loren C. Carpenter, Modelling Team: Deborah R. Fowler, Modelling Team: Damir Frkovic, Modelling Team: Shalini Govil-Pai, Modelling Team: David R. Haumann, Modelling Team: Mark Tiberius Henne, Modelling Team: Yael Milò, Modelling Team: Darwyn Peachey, Modelling Team: Rick Sayre, Modelling Team: Eliot Smyrl, Modelling Team: Galyn Susman, Graham Walters, Modelling/Shading Co-ordinator: Deirdre Warin, Shader/Visual Effects Supervisor: Thomas Porter, Shader Team: Anthony A. Apodaca, Shader Team: Brian M. Rosen, Shader Team: Eliot Smyrl, Shader Team: Graham Walters, Shader Team: Keith B.C. Gordon, Shader Team: Larry Gritz, Shader Team: Loren C. Carpenter, Shader Team: Mitch Prater, Rick Sayre, Visual Effects: Mark T. Henne, Visual Effects: Oren Jacob, Visual Effects: Darwyn Peachey, Visual Effects: Mitch Prater, Brian M. Rosen, Lighting Supervisor: Sharon Calahan, Galyn Susman, Lighting Lead: Lisa Forssell, Lighting Lead: Deborah R. Fowler, Lighting Lead: Truong Gia Tìên, William A. Wise, Lighting Team: Mark Adams, Lighting Team: Anthony A. Apodaca, Lighting Team: Larry Aupperle, Lighting Team: Cynthia Dueltgen, Lighting Team: Damir Frkovic, Lighting Team: Shalini Govil-Pai, Lighting Team: Larry Gritz, Lighting Team: David R. Haumann, Lighting Team: Oren Jacob, Lighting Team: Ewan Johnson, Lighting Team: Konishi Sonoko, Lighting Team: Les Major, Lighting Team: Yael Milò, Lighting Team: Desirée Mourad, Lighting Team: Kelly O'Connell, Lighting Team: Jeff Pratt, Mark T. Vandewettering, Illumination Engineer: Ronen Barzel, Lighting/Rendering Co-ordinator: Barbara T. Labounta, Assistant Co-ordinator: Douglas Todd, Render Wrangler: Keith Olenick, Render Wrangler: Andrew Cho, Render Wrangler: Michael Fong, Render Wrangler: Michael Lorenzen, Vivek Verma, Additional Modelling: Mark Eastwood, Additional Modelling: Monique Hodgkinson, Grey Holland, Directing Animator: Rich Quade, Ash Brannon, Supervising Animator: Pete Docter, Animation Manager: Triva Von Klark, B.Z. Petroff, Animator: Michael Berenstein, Animator: Kim Blanchette, Animator: Colin Brady, Animator: Davey Crockett Feiten, Animator: Angie Glocka, Animator: Rex Grignon, Animator: Tom K. Gurney, Animator: Jimmy Hayward, Animator: Hal T. Hickel, Animator: Karen Kiser, Animator: Anthony B. Lamolinara, Animator: Guionne Leroy, Animator: Bud Luckey, Animator: Les Major, Animator: Glenn McQueen, Animator: Mark Oftedal, Animator: Jeff Pidgeon, Animator: Jeff Pratt, Animator: Steve Rabatich, Animator: Roger Rose, Animator: Steve Segal, Animator: Doug Sheppeck, Animator: Alan Sperling, Animator: Doug Sweetland, Animator: David Tart, Animator: Ken Willard, Additional Animation: Shawn P. Krause, Additional Animation: Matt Luhn, Additional Animation: Bob Peterson, Andrew Schmidt, Animation Co-ordinator: Maureen E. Wylie, Animation Check: Heather Knight, Modelling/Animation System Development: William Reeves, Modelling/Animation System Development: Eben Fiske Ostby, Modelling/Animation System Development: John Lasseter, Modelling/Animation System Development: Sam Leffler, Modelling/Animation System Development: Darwyn Peachey, Modelling/Animation System Development: Ronen Barzel, Modelling/Animation System Development: Loren C. Carpenter, Modelling/Animation System Development: Thomas Hahn, Modelling/Animation System Development: Chris King, Modelling/Animation System Development: Peter Nye, Modelling/Animation System Development: Drew Rogge, Modelling/Animation System Development: Brian M. Rosen, Modelling/Animation System Development: Rick Sayre, Modelling/Animation System Development: Michael A. Shantzis, Modelling/Animation System Development: Eliot Smyrl, Heidi Stettner, RenderMan Software Development: Anthony A. Apodaca, RenderMan Software Development: Loren C. Carpenter, RenderMan Software Development: Ed Catmull, RenderMan Software Development: Rob Cook, RenderMan Software Development: Pat Hanrahan, RenderMan Software Development: Steve Johnson, RenderMan Software Development: Jim Lawson, RenderMan Software Development: Sam Leffler, RenderMan Software Development: M.W. Mantle, RenderMan Software Development: Dan McCoy, RenderMan Software Development: Darwyn Peachey, RenderMan Software Development: Thomas Porter, RenderMan Software Development: William Reeves, RenderMan Software Development: David Salesin, RenderMan Software Development: Don Schreiter, Mark Vandewettering, Layout Manager: B.Z. Petroff, Supervising Layout Artist: Craig Good, Lead Layout Artist: Ewan Johnson, Kevin Björke, Layout Artist: Roman Figun, Desirée Mourad, Additional Layout: Shawn P. Krause, Additional Layout: Bob Peterson, Andrew Schmidt, Editor: Robert Gordon, Editor: Lee Unkrich, Editorial Manager: Julie M. Mcdonald, Assistant Editor: Robin Lee, Assistant Editor: Tom Freeman, Assistant Editor: Ada Cochavi, Assistant Editor: Dan Mulligan, Assistant Editor (2nd): Steven Liu, Torbin Xan Bullock, Editorial Co-ordinator: Deirdre Morrison, Apprentice Editor/Digital Librarian: Phyllis Oyama, Apprentice Editor: Ed Fuller, Editorial Production Assistant: Jesse William Wallace, Art Director: Ralph Eggleston, Art Manager: Terry Herrmann Mcqueen, Designer/Illustrator: Bob Pauley, Lead CG Painter: Tia W. Kratter, CG Painter/Designer: William Cone, CG Painter: Robin Cooper, Character Design: Bob Pauley, Character Design: Bud Luckey, Character Design: Andrew Stanton, Character Design: William Cone, Character Design: Steve Johnson, Character Design: Dan Haskett, Character Design: Tom Holloway, Jean Gillmore, Concept Artwork: Steve Johnson, Concept Artwork: Lou Fancher, Concept Artwork: Kevin Hawkes, Concept Artwork: William Joyce, Concept Artwork: William Cone, Concept Artwork: David Gordon, Concept Artwork: Bob Pauley, Nilo Rodis, Set Dresser: Kelly O'Connell, Set Dresser: Konishi Sonoko, Ann M. Rockwell, Sculptor: Shelley Daniels Lekven, Norm Decarlo, Title Design: Susan Bradley, Titles: Buena Vista Imaging, Title Optical Supervisor: Mark Dornfeld, Colour Timer: Dale Grahn, Music/Songs Written and Performed by: Randy Newman, Orchestrations: Don Davis, Orchestrations: Randy Newman, Executive Music Producer: Chris Montan, Music Production Supervisor: Tod Cooper, Orchestra Contractor: Sandy De Crescent, Music Preparation: Jo Ann Kane Music Service, Storyreel Music Wrestler: Robert Randles, Ling Ling Li, Music Editor: Jim Flamberg, Music Editor (Associate): Helena Lea, Music Recorder/Mixer: Frank Wolf, [Music] Recording Assistant: Greg Dennen, [Music] Recording Assistant: Tom Hardisty, [Music] Recording Assistant: Bill Kinsley, [Music] Recording Assistant: Susan Mclean, Rail Rogut, Sound Design: Gary Rydstrom, Assistant Sound Designer: Tom Myers, Dialogue Recording: Doc Kane, Bob Baron, Re-recording Mixer: Gary Summers, Gary Rydstrom, Supervising Sound Editor: Tim Holland, Assistant Sound Editor: J.R. Grubbs, Assistant Sound Editor: Susan Sanford, Assistant Sound Editor: Susan Popovic, Dan Engstrom, Negative Cutter: Mary Beth Smith, Rick Mackay, Sound Effects Editor: Pat Jackson, ADR Editor: Marilyn McCoppen, Foley Artist: Dennie Thorpe, Foley Artist: Tom Barwick, Foley Recordist: Tony Eckert, Foley Editor: Mary Helen Leasman, EPK: M. David Mullen, Marketing/Promotions Co-ordinator: Monica Corbin, Unit Publicist: Lauren Strogoff
Cast (37)
Tom Hanks (voice of Woody), Tim Allen (voice of Buzz Lightyear), Don Rickles (voice of Mr Potato Head), Jim Varney (voice of Slinky Dog), Wallace Shawn (voice of Rex), John Ratzenberger (voice of Hamm), Annie Potts (voice of Bo Peep), John Morris (voice of Andy), Erik von Detten (voice of Sid), Laurie Metcalf (voice of Mrs Davis), R. Lee Ermey (voice of Sergeant), Sarah Freeman (voice of Hannah), Penn Jillette (voice of TV announcer), Jack Angel, Spencer Aste, Greg Berg, Lisa Bradley, Kendall Cunningham, Debi Derryberry, Cody Dorkin, Bill Farmer, Craig Good, Gregory Grudt, Danielle Judovits, Sam Lasseter, Brittany Levenbrown, Sherry Lynn, Scott Mcafee, Mickie Mcgowan, Ryan O'Donohue, Jeff Pidgeon, Patrick Pinney, Phil Proctor, Jan Rabson, Joe Ranft, Andrew Stanton, Shane Sweet (additional voice)
Articles held in BFI Reuben Library (57)
In: Screen v60 n2 Summer 2019  Pages: 351-356
Title: ReviewsAuthor: COOK, MalcolmArticle type: Book ReviewLanguage: English
Description: Of the first four volumes in the Bloomsbury 'Animation: key films/filmmakers' series: 'Princess Mononoke: understanding Studio Ghibli's monster princess' edited by Rayna Denison; 'Norman McLaren: between the frames' by Nichola Dobson; 'Hayao Miyazaki: exploring the early work of Japan's greatest animator' by Raz Greenberg; 'Toy Story: how Pixar reinvented the animated feature' edited by Susan Smith, Noel Brown and Sam Summers.

In: Music, sound, and the moving image v10 n1 Spring 2016  Pages: 1-23
Title: Pixarticulation: vocal performance in Pixar animationAuthor: Montgomery, ColleenArticle type: ArticleLanguage: English
Description: Analyses the voice and vocal performance in Pixar's animated films, with particular reference to 'Monsters, Inc.' (2001) and the 'Toy Story' franchise (1995-). Discusses the strategy of casting star vocal performers in Pixar films and the role it plays in unifying and promoting the company's network of media products.

In: Screen v54 n1 Spring 2013  Pages: Jan-19
Title: Life driven by death: animation aesthetics and the comic uncannyAuthor: Flaig, PaulArticle type: ArticleLanguage: English
Description: Article exploring an aesthetics of animation which blurs the boundaries between animate and inanimate objects, questioning the usual association of life with movement and death with stasis. Discusses the link between comedy and the uncanny, with reference to the theories of Freud and Lacan and to a range of examples including early animation, the film 'Toy Story' (1995), and the blending of horror with comedy in films such as 'Evil Dead II' (1987).

In: Empire n244 October 2009  Pages: 170-171
Title: The top 10: Creepy kidsAuthor: MCCABE, Bob Article type: ArticleLanguage: English
Description: Top ten listing and brief critique of films featuring scary child charactors.

In: Empire n244 October 2009  Pages: 96-105
Title: Pixar on PixarAuthor: JOLIN, Dan Article type: ArticleLanguage: English
Description: John Lasseter, Andrew Stanton, Pete Docter and Brad Bird discuss the films they have made at Pixar and how over the course of ten films the animation company has grown in success.

In: Empire n240 June 2009  Pages: 105-134
Title: Empire 20: The birthday portfolioArticle type: ArticleLanguage: English
Description: Photographic feature to celebrate Empire's twentieth anniversary a number of stars recreate iconic poses/scenes from their careers.

In: Empire n240 June 2009  Pages: 179-184
Title: In conversation with Tom HanksAuthor: FREER, Ian Article type: ArticleLanguage: English
Description: Actor Tom Hanks discusses his film career, in particular, his work with Steven Spielberg. Plus a selection and brief critique of the 'Five Great Tom Hanks Moments'.

In: Empire n231 September 2008  Pages: 113-123
Title: 10 years of DVDAuthor: CROOK, Simon, DE SEMLYEN, Nick Article type: ArticleLanguage: English
Description: Special feature celebrating the impact of the DVD over the past ten years. Includes top tens for: 'making of' extras, alternative versions, Easter eggs, biggest DVD heroes, deleted scenes, top sellers and films most wanted on DVD.

In: Journal of Popular Film & Television v36 n1 Spring 2008  Pages: 2-8
Title: Post-Princess Models of Gender: The New Man in Disney/PixarAuthor: GILLAM, Ken Article type: ArticleLanguage: English
Description: Examining CARS, TOY STORY and The INCREDIBLES, this article looks at the development of a new model of masculinity promoted by Pixar.

In: Empire n225 March 2008  Pages: 116-117
Title: Disney's all-time top 10 moviesArticle type: ArticleLanguage: English
Description: Listing and brief critique of the ten best Disney films as selected by Empire magazine.

In: Empire n199 January 2006  Page: 182
Title: At Home/Movies: A brand apartAuthor: HUGHES, David Article type: DVD ReviewLanguage: English
Description: DVD review of 'Toy Story 10th Anniversary Edition'.

In: Empire n201 March 2006  Pages: 77-88,90-101
Title: 201 Greatest movies of all timeArticle type: ArticleLanguage: English
Description: A listing of the top two hundred and one films as chosen by the reader's of Empire magazine. With comments by actors and filmmaker's.

In: Empire n204 June 2006  Pages: 150-151
Title: At Home/All-Time 100: Month Eight: Family & AnimationAuthor: Nathan, IanArticle type: ArticleLanguage: English
Description: A selection of ten films (either animation or suitable for the whole family) are chosen to be included in a perfect DVD collection of one hundred films.

In: ScriptWriter n20 January 2005  Pages: 63-65
Title: Completely Generic Ideas?Author: MUGLESTON, Robert Article type: ArticleLanguage: English
Description: Article arguing that animated feature films are increasingly relying on the visual impact of their animation at the expense of a good script, and comparing the level of writing in TOY STORY with the SHREK films.

In: Empire n198 December 2005  Pages: 143-146,149-151
Title: Decade Deathmatch: The 90sArticle type: ArticleLanguage: English
Description: Results of an online debate to decide which decade is the best for films. Includes a timeline of events from the 90's and a range of subjects from technology, award winners and top ten films.

In: Film Review n664 December 2005  Page: 119
Title: Toy Story 1 & 2 Special EditionAuthor: KEMPSTER, Grant Article type: DVD ReviewLanguage: English

In: Cinema Business n17 September 2005  Page: 34
Title: Watch these kids!Article type: Short ArticleLanguage: English
Description: A listing of the top ten films recommended for children, following the British Film Institute's 'Watch This!' initia- tive and debate.

In: Animation Journal v12 2004  Pages: 72-95
Title: The importance of being plastic: the feel of PixarAuthor: SCHAFFER, William Article type: ArticleLanguage: English
Description: Paper examining the success of TOY STORY and other Pixar digital features in terms of an integrated response to the possibilities of digital aesthetics, animated characterisation and marketing.

In: Empire n180 June 2004  Page: 118
Title: The 15 most influential films of our lifetimeAuthor: FREER, Ian [...et al] Article type: ArticleLanguage: English
Description: Cited by Empire magazine as "one of the 15 most influential films of our lifetime".

In: Screen v43 n3 Autumn 2002  Pages: 293-314
Title: To infinity and beyond: assessing the technological...Author: MOSZKOWICZ, Julia Article type: ArticleLanguage: English
Description: An examination of CGI and the tendency to see it as purely reflecting reality in a more and more impressive way. Account should be taken of a pre-existing aesthetic under- standing by both animator and audience.

In: Film Score Monthly v6 n2 February 2001  Pages: 44-45
Title: The Laserphile: one last lookAuthor: DURSIN, Andy Article type: DVD ReviewLanguage: English

In: Film Review n601 January 2001  Page: 87
Title: Toy storyAuthor: RICHARDSON, David Article type: DVD ReviewLanguage: English

In: Total Movie Feb/Mar 2001  Page: 94
Title: DVD reviews: TOY STORY: THE ULTIMATE TOY BOXAuthor: HERMOSIA, Tony Article type: DVD ReviewLanguage: English

In: Sight and Sound v9 n1 January 1999  Pages: 62-63
Title: Video: Private view: To infinity... and beyondAuthor: FELPERIN, Leslie Article type: InterviewLanguage: English
Description: Director Rowan WOODS pays tribute to a video favourite TOY STORY.

In: Empire n117 March 1999  Page: 146
Title: Classic sceneArticle type: ArticleLanguage: English
Description: Classic scene from TOY STORY.

In: TV Guide v45 n39 27 Sep 1997  Page: 14
Title: Toys, tunes and TomAuthor: SISKEL, Gene Article type: ReviewLanguage: English

In: Metro Education n10 1997  Pages: 57-60
Title: Toy Story Study GuideArticle type: ArticleLanguage: English
Description: Study guide for schoolchildren adapted from an interactive website on TOY STORY.

In: Metro Education n10 1997  Pages: 28-30
Title: Toy Story: Half-Truths in the Toy-BoxAuthor: VARNEY, Wendy Article type: ArticleLanguage: English
Description: Examines the questions of commercialisation and gender in TOY STORY.

In: Comedy Review n1 March 1996  Page: 77
Title: Toy StoryArticle type: ReviewLanguage: English

In: Empire n89 November 1996  Page: 136
Title: video movies to buyAuthor: JEFFRIES, Neil Article type: ReviewLanguage: English
Description: Review of video-release.

In: Legend n21 Summer 1996  Pages: 39-40
Title: CD ReviewsAuthor: PRESTON, David A. Article type: Soundtrack ReviewLanguage: English

In: Screen International n1081 25 Oct 1996  Page: 4
Title: News in Brief: Toy Story video set to break Disney recordArticle type: NoteLanguage: English

In: Empire n80 February 1996  Page: 13
Title: Front desk news: toys r us bonanza...Article type: Short ArticleLanguage: English
Description: TOY STORY (1996) brought in $40 million at the box office in its first two days on release.

In: Positif n422 April 1996  Pages: 32-33
Title: actualité, les filmsAuthor: ROUYER, Philippe Article type: CreditsLanguage: French

In: Screen International n1050 22 Mar 1996  Pages: 14-20
Title: 3D Digital Technology: Mighty mouse / Quick on the drawAuthor: DUNCAN, Celia Article type: ArticleLanguage: English
Description: Feature on digital animation: on several films that used digital 3-D technology , particularly TOY STORY, on the market developments and interview with TOY STORY director John Lasseter

In: Screen International n1050 22 Mar 1996  Page: 28
Title: Executive suiteAuthor: DUNCAN, Celia Article type: InterviewLanguage: English
Description: Interview with Richard Williams about TOY STORY and animation

In: Film Ireland n52 Apr/May 1996  Page: 46
Title: Toy StoryAuthor: O'CONNELL, Darragh Article type: Short ArticleLanguage: English
Description: Comments on the use of technology in TOY STORY.

In: Premiere v4 n1 February 1996  Page: 28
Title: Barbie blows itArticle type: NoteLanguage: English
Description: Mattel refused to allow Barbie to appear in TOY STORY.

In: StarBurst n219 November 1996  Page: 56
Title: VideofileArticle type: NoteLanguage: English
Description: video note

In: StarBurst n211 March 1996  Page: 43
Title: PreviewAuthor: JONES, Alan Article type: CreditsLanguage: English

In: Sight and Sound v6 n3 March 1996  Pages: 51-52
Title: reviewsAuthor: FELPERIN, Leslie Article type: CreditsLanguage: English

In: Screen International n1045 16 Feb 1996  Page: 12
Title: Toy STory redraws US retail landscapeAuthor: BROWN, Colin Article type: Short ArticleLanguage: English
Description: Article about the video release campaign for TOY STORY

In: Films in Review v47 n3/4 Mar/Apr 1996  Pages: 67-68
Title: Film reviewsAuthor: SUMMER, Edward Article type: CreditsLanguage: English

In: Screen International n1042 26 Jan 1996  Page: 18
Title: Buena Vista International (UK) LTDArticle type: CreditsLanguage: English
Description: Part of an advertisement of Buena Vista International (UK) for their releases in 1996; includes release date

In: Empire n82 April 1996  Pages: 40-41
Title: New filmsAuthor: WESTBROOK, Caroline Article type: ReviewLanguage: English

In: Empire n82 April 1996  Pages: 94-97
Title: Look no handsAuthor: WESTBROOK, Caroline Article type: ArticleLanguage: English
Description: Article on the process of computer animation in John Lasseter's TOY STORY.

In: Premiere v4 n3 April 1996  Page: 15
Title: [Premiere - v4 n3 April 1996: no known title]Author: ERRIGO, Angie Article type: ReviewLanguage: English

In: Film and Video v12 n10 October 1995  Pages: 72-79,121
Title: John LasseterAuthor: WOLFF, Ellen Article type: ArticleLanguage: English
Description: About the production of TOY STORY, with comments from John Lasseter.

In: Cinefantastique v26/27 n6/1 October 1995  Pages: 8-9, 125
Title: Toy StoryAuthor: FRENCH, Lawrence Article type: ArticleLanguage: English
Description: Looks at the making of TOY STORY, the first full length feature made with CGI animation

In: Screen International n1036 1 Dec 1995  Page: 16
Title: ReviewsAuthor: BAHANIA, Ana Maria Article type: CreditsLanguage: English

In: Cinefex n64 December 1995  Pages: 76-91
Title: Toys Will Be ToysAuthor: STREET, Rita Article type: ArticleLanguage: English
Description: Article on the development, pre-production and the special effects for TOY STORY: the digital imaging, the props, sets, characters, on the computer system used for the animation and the dubbing

In: The Hollywood Reporter v335 n46 7 Feb 1995  Page: 20
Title: [The Hollywood Reporter - v335 n46 7 Feb 1995: no known title]Article type: CreditsLanguage: English

In: Variety 20 Nov 1995  Page: 48
Title: [Variety - 20 Nov 1995: no known title]Author: KLADY, Leonard Article type: CreditsLanguage: English

In: Starlog n221 December 1995  Pages: 38-45
Title: Toy storyAuthor: SULLIVAN, Darcy Article type: ArticleLanguage: English
Description: Production details of TOY STORY, the first full computer- generated animation feature film in history.

In: TV Guide v43 n46 18 Nov 1995  Pages: 26-28
Title: Toon time TimAuthor: WOLF, Jeanne Article type: ArticleLanguage: English
Description: Tim Allen talks about his new animated feature THE TOY STORY for which he does the voice-over with Tom Hanks, and his new philosphy on life.

In: Moving Pictures International n14 December 1995  Pages: 32-33
Title: Being digitalAuthor: SWAIN, Bob Article type: ArticleLanguage: English
Description: TOY STORY is the first feature film shot entirely in digital animation and hailed as the beginning of a new revolution in cinema.

In: Cinefantastique v27 n2 November 1995  Pages: 16-37
Title: Toy StoryAuthor: FRENCH, Lawrence Article type: ArticleLanguage: English
Description: Extended feature on the making of TOY STORY, focussing on the pioneering use of CGI


Books held in BFI Reuben Library (16)
Title: Toy Story: how Pixar reinvented the animated feature
Author: SMITH, Susan  Pages: vi, 248 pages

Title: Pixar and the aesthetic imagination: animation, storytelling, and digital culture
Author: Herhuth, Eric  Pages: xii, 240 pages

Title: Locating the voice in film: critical approaches and global practices
Author: Whittaker, Tom  Pages: xiii, 317 pages
Description: Also discusses Dogflesh (2012).

Title: Pixar with Lacan: the hysteric's guide to animation
Author: Rösing, Lilian Munk  Pages: 181 pages

Title: Toy Story: a critical reading
Author: KEMPER, Tom  Pages: 110 pages

Title: search for meaning in film and television
Author: Maloney, Marcus  Pages: viii, 185 pages

Title: CG story: computer generated animation and special effects
Author: FINCH, Christopher  Pages: 288 pages

Title: Toy Story films: an animated journey
Author: SOLOMON, Charles  Pages: 191 pages

Title: Seeing things: from Shakespeare to Pixar
Author: ACKERMAN, Alan  Pages: x, 169 pages

Title: Pixarpedia
Author: BAZALDUA, Barbara  Pages: 375 pages

Title: Film theory: an introduction through the senses
Author: ELSAESSER, Thomas  Pages: viii, 222 p.

Title: Screenwriting: the sequence approach
Author: GULINO, Paul Joseph  Pages: xiv, 230 p.

Title: Animated films
Author: CLARKE, James  Pages: ix, 338 p.

Title: Makin' toons: inside the most popular animated TV shows and movies
Author: NEUWIRTH, Allan  Pages: xiii, 272 p.

Title: Contemporary Hollywood stardom
Author: AUSTIN, Thomas  Pages: iv, 300 p.

Title: To infinity and beyond!: the story of Pixar animation studios
Author: PAIK, Karen  Pages: 303 p.


Film, Video or Digital materials held in BFI National Archive(1)
Film materials(1)
Description: 35mm Colour PositiveBase: SafetySound: CombinedStock date: 1995BFI identifier: N-715364
Status: Master - Restricted access to preserved film